6/21/2020 12:11:39 AM

Thoughts about Reopening

What a spring it has been!  I know we can all say that in so many different ways.  For me personally, I'm glad to be done with overseeing three months of online school and keeping track of online dance classes over Zoom.  I've adjusted to working remotely from home, settling in to two primary "desks" within the house. 

 

Sometimes I work in my art studio...

 

Our teams now have weekly Coffee Chats where we catch up on non-work as if we were standing around the virtual water cooler.  I'm also very thankful to have clarity that I'll continue to work remotely for the remainder of the summer, and likely all the way through the fall.  I am extremely thankful that I am able to work remotely, and am very appreciative of the measures that Nike is taking to support employees during this time.  I know many who are not as fortunate.  Our kids return to school in September is still unclear; school just got out last week, so now the districts can begin to look at options for what comes next.  

 

Today is the first day of summer, and I am thankful for emerging bits of a new normal.  Washington County, Oregon where we live entered Phase 1 on June 1st.  We were the next-to-last county in the state to enter Phase 1 and begin to reopen.  Multnomah County, where much of Portland is located, started to reopen only yesterday.  Now, the three counties of the Portland Metro area will move forward together as one, so it will be another three weeks before we progress to Phase 2, assuming all goes okay.  Plein Air events that would be going on right now have been canceled - the Lavender Festival and the Lake Oswego Festival of the Arts.  Many venues have started to offer online events - online plein air or studio painting events, and online juried shows and competitions.  There have been so many added recently, I need to review them and decide how I want to participate.  I have learned over the past three months that I certainly cannot "do it all."  Priorities are becoming clearer all of the time - family first.

 

I haven't listed any exhibits on my website since March, due to cancellations and closures.  This weekend, I started to update my shows:  Fairweather House & Gallery in Seaside reopened on May 15th and is continuing to show my oil paintings during the "Summer Served" exhibit through June 30th.  Denise Fairweather has a beautiful showing of the gallery filmed.  Pre-COVID circumstances, I had intended to paint for the May "In Full Bloom" and June "Summer Served" shows at the gallery.  Instead, I focused on just getting through each day and navigating the constant changes and new information.  I consumed more news and podcasts than I did books and audiobooks, and my fiction reading slowed way down.  During quarantine, I have only created two studio paintings; the start of one is pictured in my studio "office" above. 

 

  

Setting up to paint on the deck in Sunriver

 

This week, with a long holiday weekend, school out, warming weather and reduced dance commitments, my daughter and I planned our first getaway since March.  I packed my paints, and yesterday I painted en plein air for the first time this year!  We are in Sunriver, a place we have visited almost annually since before the kids were born.  Deschutes County is in Phase 2, and Sunriver began to reopen in mid-May.  My girls weekend getaway is making up for a lost Spring Break trip to California, a canceled birthday trip to Washington, four canceled dance conventions, and no trip to Seaside for Nationals.  This week, we are riding bikes, kayaking, golfing, admiring the sky, looking for deer, and even dining in restaurants - twice outside and once indoors.  Cases are low here, and we are happy to be able to have a semblance of normal summer fun on the river, at the lake, and on the bike paths where masks are not needed and we can breathe in the fresh pine-scented air.  We are wearing masks inside businesses and also into restaurants until we are seated at our table.  While this has been recommended but not required, it will now be the requirement when we return home to the Portland metro counties tomorrow.  I'm pleased with the cautious and data-driven approach that Oregon has taken.  Gradually, a new normal emerges.  It changes daily, however.  We are not in control, the virus is.  

 

My set up on the deck in Sunriver, painting a 9x12 oil on panel that I'm calling "Growth"

 

I started this post about the reopening of the gallery in Seaside, happy that my March work is still on display.  More and more, I cannot separate my art life from my personal life, my family life.  I was able to paint yesterday because the girls were confident and comfortable riding their bikes into the Village on their own.  When I take my paintings out to Seaside, sometimes I take my daughter and a friend.  My art cannot be separated from my life, from the reopening and my state of mind.  I wanted to publish this today, the first day of summer.  Already, it is 9:46pm.  Signing off and posting.

 

Take care and stay safe,

Karen  

 

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12/4/2019 10:01:11 AM

Winter Lights

Vibrant winter darkness with dazzling lights
A dreamy and cozy place
Feelings of cold and warmth all at once
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10/14/2019 9:41:31 PM

Storm Brewing

A storm comes to Umpqua Valley. I painted this 90% en Plein Air on location standing by the side of the road on Gross Lane in Oakland, near Umpqua. The cows were sleeping in the field. I stopped before I had finished the sky because it was very cold and I needed to find a bathroom and get coffee. I finished this piece back home in my studio, making the sky reflect the storm that came to Umpqua the last morning of the paint out. I wonder what the cows do when it rains?
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6/8/2019 9:27:18 AM

Beachgrass Explorer - Nike Beach Dogs series in Seaside

This is Oscar.  He is a Welsh Terrier.  In this painting, he is just a young puppy, more black than tan.  He is exploring the Oregon coast with his trusted owner.  He is so young and so little, he almost gets lost within the beach grass.  "Beachgrass Explorer" was painted for the May Portraiture show at Fairweather House & Gallery in Seaside, Oregon, based on a photo of Oscar taken by his owner Andrew Nelson.  I used to have two Welsh Terriers, and I just love the look of a Welshie puppy!  Oscar is one of several Nike dogs who love to visit the coast for adventures with their owners.

 

You can read more about my Nike Beach Dog series in my Newsletter

 

"Beachgrass Explorer" was shown at Fairweather House & Gallery in Seaside for the May 2019 Portraiture featured artist show.

 

 

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2/11/2019 2:30:00 PM

Winter Indoor Plein Air

In Beaverton, January is rainy and cold. The trees are bare and the sunsets are gorgeous, sending slivers of light through branches and clouds.

 

 

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12/12/2018 7:10:36 PM

It's the season for Poinsettias!


"Isabelle" is a Cortez Burgundy poinsettia, one of the deepest, richest red velvet-looking varieties that I've seen.  It reminds me of my mother who loved having these tropical plants around during the holidays.  I have nine different varieties of poinsettias around my house this year. What's your favorite variety? I painted this from life in my home studio, alla prima. It's now framed and a part of the annual All Member Show at Sequoia Gallery + Studios in Hillsboro, Oregon.

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12/5/2018 11:35:25 AM

It's technically still Fall until December 21st

This fall I brought home dozens of sunflowers from Papa's Pumpkin Patch in Sherwood.  You can cut  your own for just 10 cents a stem!  I love painting them, they are so radiant and joyful.  I created just this one 6x6 Alla Prima sunflower in my home studio this Fall.  Bright and cheery, "Farm Girl" is one of 9 framed 6x6 pieces I am showing in the All-Member Winter Show at Sequoia Gallery + Studios, now through January 31, 2019.

 

 

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11/5/2018 9:39:16 PM

A Painting for November: Family

When it came time for me to select paintings for the November Member Show at Sequoia Gallery + Studios, I thought about what November means to me.  Election Day, Veteran's Day, my son's birthday, Thanksgiving, and snuggling in with family for the holidays.  "Schmidt Family Farm View" speaks of family to me.  I painted this 11 x 14 oil en Plein Air on a fall afternoon last year at my friend Sue Schorn's lovely home.  Sue had invited me to tour her property in the little town of Laurel, Oregon, taking me through the hazelnut and apple trees and up the road toward the Felton property to see the pond and the "Bee Tree," a 100 year old dead tree that is home to thousands of bees.  After touring the Schorn property, I set up my easel high on the upper deck of the barn with a view looking across the Schmidt Family Farm, toward the Felton's home on Holly Hill Road, facing east.  "Schmidt Family Farm View" is the result of my inspiration of these families long-standing properties in Laurel, and their love of the land.  It is now on display for the month of November, 2018.

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8/19/2018 11:55:38 AM

What I Learned on my Sabbatical

Today is Sunday August 19, 2018, the last day of my sabbatical.  Lately, people have been asking me "How's your sabbatical going?"  I think I must give them this blank look, because up until today, my answer hasn't been "Awesome!"  Instead, I've smiled and said it's been going well, yes Europe was a great experience, yes we've been having fun.  But in the back of my mind, and occasionally out loud, I've thought about how uncomfortable I have been without a schedule or set routine.  It's been so weird!  Now, on the last Sunday of my 5 weeks away from work, I can finally say that it has been awesome!  

 

I do not think I was ever at peace with the fact that I had no set routine.  Even during the first 2 1/2 weeks when I was away in Europe and San Diego, everything was day-by-day, no planned schedule except our airline or train times.  With three or four of us needing to agree on where we would go, what we would do, where we would eat, whether to walk or take a taxi or Uber, everything was a negotiation.  Don't get me wrong, I loved visiting London, Madrid and also San Diego, but the lack of a committed schedule was hard for me.  In London, I got sick and disrupted our plans for 48 hours, causing my husband to fly over and join us four days earlier than planned.  We missed the Muggle Walking Tour we had scheduled (one of two scheduled activities!) and a day of exploring the city.  It kind of put a damper on London.  The highlight of the trip our scheduled tour of the Warner Brothers studios where Harry Potter was filmed.  I still wasn't 100% that day, and it was still very hot, but we made it through that visit and I could tell the kids loved it.  It's something we will all remember well. 

 

 

Madrid was more structured since the whole point of the trip was for my son to attend the European Cubing Championships, a four-day event where 600 kids and young adults from across Europe (and about 10 from the U.S.) competed to solve twisty puzzles as quickly as possible.  I was either inside all day with my son, or out and about in Madrid with my daughter, alternating over four days with my husband.  While the speed cubing event had a very set schedule, it was Jack's schedule, not mine.  I chatted with other parents, drank lots of espresso, or took a walk outside in the summer heat, making sure I was back in time to watch Jack compete.  The event was fascinating and I loved watching Jack. 

 

 

In San Diego, it was again my daughter who had a defined schedule, not me, as she attended Dancer Palooza, a huge dance convention with hundreds of kids from across the U.S.  I planned my days around her scheduled workshops - breakfast and walking her to the convention center, planning for lunch and bringing it to her at the appointed time, picking her up when the schedule dictated.  I had a couple of hours free every morning and afternoon and used it to explore downtown San Diego on foot, or wander around by the hotel marina.  I found myself wasting a lot of time on Instagram and Facebook.  Why couldn't I get into any sort of routine?  After a day or so of this, I coordinated with a mom friend and took a day away for myself.  I took an Uber up to La Jolla and spent the day at the beach.  I met another woman out sketching and sat down on the bench next to her to paint three gouaches en Plein Air.  I had lunch at Duke's of La Jolla and enjoyed the view across the way to UCSD, and my dormitory at Muir College where I'd spent four years in college.  I checked out the shops along Prospect Avenue and poked my head into a few art galleries and a bookstore.  This was one of my best days so far!  What was different?  I still had no schedule, but I also had no accountability to anyone else.  This was the first day of my 2 1/2 week vacation when I was on my own without being on-call to anyone.  If my daughter needed something, my friend Geri would be there for her.  I was 45 minutes away in La Jolla.  As the time approached when I needed to return, I grew restless and switched my brain back to mom-mode.

 

 

It took me the entire last 3 weeks of my sabbatical for the light bulb to go off.  I realized this weekend that I struggle with having no set schedule when I am also accountable to others.  A "free" morning at home with my kids means that I am "on call" for them, so I often hesitate to dive into my own work; an open day away on vacation means negotiation and likely compromise about how we'll spend our time.  Only when I have free and unscheduled time and am also not accountable to anyone but myself do I find that I can truly focus and create.  I can relax, but I cannot create, if I feel accountable to someone else.  I am not fully free to let go.  I think this is one reason that I am drawn to painting en Plein Air.  I am with my gear and I am out of the house, away on site on my own, where no one can call to me to bring them a snack or ask to make a Target run or find them the masking tape.  Until a friend recently pointed it out, I didn't realize how intensely I focus when I am creating.  I get in the flow and it seems so easy to me.  I can paint for a focused 1-2 hours without stopping and get in the zone.  But if I am interrupted by a request, a text, a call - I am completely distracted and lose the flow.  And if there is the potential for interruption, it seems to sit in the background of my mind, sometimes causing me not to begin at all!  It has taken me weeks to figure this out! 

 

I've been totally bothered by my lack of productivity while on sabbatical.  Sure, I've painted some, done some projects, gotten the kids their school supplies, taken care of doctor appointments, gone to the pool, and stuff like that.  But I hadn't done nearly the amount of creative work that I'd wanted.  Regular posts to Instagram and Facebook were not cutting it for me.  I began reading about procrastination.  I also began thinking a lot about living "in the moment" and even found a blog post about how to take a sabbatical, which involved taking months to a year off and not doing anything for about the first four months, at which time enough relaxation and percolation would have occurred that you might start to be able to discover what your purpose and true calling really was.  Ha!  I didn't have four months, much less a year.  I had two more weeks!  I read about "finding my why" and creativity.  The psychologist in me really came out as I went into internet browsing and library bookshelf surfing mode, searching for answers to my lack of productivity and struggle without a schedule. 

 

Throughout my reading and thinking, what I learned on my sabbatical is that it's OK to not have a schedule and to feel incredibly uncomfortable with that.  It's okay to sit and be with the discomfort long enough to let things that have been percolating rise to the surface.  And that discomfort may eventually push you to be creative in new ways.  We say that you should not wait for inspiration or for the muse to strike, you need to schedule your art and your commitments and just start.  I agree, as long as you have the space that is uninterrupted in which to create.  Perhaps a sabbatical during the summer with family travel and family commitments is not the best time to plan to be productive, but instead is the best time to sit with some discomfort about having no set schedule, days with commitments mostly not your own, and instead stealing chunks of time to look, read, learn, listen and participate as fully as possible with my kids and family, enjoying the short, focused times that are allowed to surface and happen, like this morning blog post :)  There will be days and months and years in the future when I do not have school-aged kids at home to drive to dance, take to the race track, oversee playdates or drive to birthday parties.  

 

This is my fourth 5-week sabbatical.  Every one has been entirely different, as I've been in a different stage or season in my life.  I'm glad that at the end of this one, I feel some sense of closure with my lack of productivity and with how creative I have or haven't been this summer.  And now, bring on fall.  

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11/8/2017 7:59:41 PM

Cider and Spice, a palette knife impasto for the 6x6 Wild Art Project

During the September 30 in 30 daily painting from life challenge, I created a lot of 6x6 still life paintings in my home studio.  This was somewhat new for me, as I typically paint a bit larger and generally outside en Plein Air.  Once September ended and I was released from the challenge and  could take time to paint either from life or from photos, I looked forward to painting a different kind of 6x6.

 

The Audubon Society of Portland's annual Wild Arts Festival is November 18 and 19th, and this year I participated in their fundraising sale of hundreds of 6x6 original works of art.  Blick Arts donated the 6x6 gallery wrapped canvases (where canvas wraps around the sides and the canvas to a depth of 1-2 inches, and is generally painted and hung unframed).  For the event, artists paint their interpretation of  the theme "bird."  While I expect many entries to be a bit more representational, based on the slide show of 2016 works, I decided to paint an abstract, thick impasto palette knife painting of a mischievous owl named "Cider and Spice."  If you like her, she has been donated and is available for purchase at the festival the weekend on November 18-19.  

 

From the festival website page:  "The Wild Arts Festival celebrates nature in the work of regionally and nationally known artists and writers.  Now in its 37th year, the Festival is the Northwest's premier show and sale of nature-related art and books.  More than 4,700 nature lovers and art enthusiasts attended the 2016 Festival, raising over $180,000 for the Audubon Society of Portland." 

 

The Festival also features the ever-popular Silent Auction, where you can bid on beautiful artwork, gifts for your favorite naturalists and birdwatchers, and wonderful Northwest outings, excursions and weekend getaways. And you won't want to miss the fast-moving sale of 6”×6” original bird-themed paintings by local artists!

 

Read more online at http://wildartsfestival.org/about-the-festival

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